Press Rental and Printing Services

Non-Member Studio Access (Press Rental):

  • Punch cards for hourly press rental: $300 for 14 hours (save $120)

  • 1 Day Press Rental: $165 (save  $75)

  • Hourly Press Rental: $30 per hour + tax. The minimum rental time is four hours.

Artists must be able to work independently and to follow the studio protocols. Artists may be paired with one other artist to share a press. The hourly rate includes ink and cleaning supplies. Paper and plates are purchased separately.

Custom Printing and Instruction:

Remarque provides custom printing services to artists, curators and patrons of the arts. Come and work with one of our master printers who can help you to transform your artwork into a beautiiful edition of prints.

We offer assistance in Photopolymer intaglio, etching, monotype and relief printing.

If you’re interested in having pieces printed at Remarque, don’t hesitate to contact us to discuss options!​

Private Printing Session:

  • Rate: $60 per hour
  • Work side by side with a master printer who will handle your registration, paper, assistance with set-up and clean-up, and help with any other printmaking needs.
  • Transform your one of a kind artwork into a beautiful print edition!
  • Sharpen your artistic vision as you learn a new printing technique!


 

Printmaking Specialists

Remarque offers members and the broader community the opportunity to collaborate one-on-one with a printmaking specialist, supporting the development and production of high-quality prints. Reach out to us to begin working with a printmaking specialist.

Lincoln Draper

A native New Mexican, Lincoln has worked as a freelance photographer in Albuquerque for over thirty years. Largely self-taught, he has work in the collections of the Albuquerque Museum, the Harwood Museum in Taos, and numerous private collections; he has also received awards in numerous local exhibitions. Since 2016, Lincoln has been a co-owner of Remarque Print Workshop, where he prints his work and engages with a wide community of printmakers in Albuquerque and beyond.

At heart a landscape photographer, his practice explores how projecting the self into the landscape reveals the limits of time, space, and personal finitude. This inquiry moves fluidly between expansive environments and more intimate, hidden landscapes found in objects, creatures, and plants. Throughout, he is drawn to formal patterns in both natural and built environments, seeking to evoke the moods and inner resonances that emerge from these structures.

Lincoln’s printmaking practice has evolved from traditional gelatin silver printing to platinum/palladium and photopolymer intaglio (photogravure). Today, printmaking plays a central role in shaping the emotional and energetic potential of the photographic image, with each final print understood as a waypoint in an ongoing journey through place, self, photograph, and image.

Pamela Wesolek

For over thirty years, Pamela's practice has been shaped by viewing the world through the lens of copper plate etching. Originally from Wisconsin and now based in Albuquerque, New Mexico, she has been printing at Remarque Print Workshop for 25 years, including 15 years as a Master Printer.

Deeply inspired by nature, Pam's work begins with the question: How can this be translated into print? Over time, she has pushed the boundaries of copper plate etching, allowing both process and subject to evolve together. In the solo exhibition Desert Year, the work explores whether the copper plate itself can become the artwork, distressed and pushed to its limits, or whether material and color can take precedence. Her practice seeks a balance between the raw voice of copper and the technical precision of printmaking.